Cia. Robert Torres<\/strong> is a theatre company built around Robert Torres<\/strong>\u2019 work as a director, dramaturg and adaptor, with production and distribution by MGM Marta-Guzm\u00e1n-Management<\/strong>. Its artistic approach focuses on the critical revision of contemporary texts and modern classics, research into acting practice, and the dialogue between stage, body, word and audiovisual language.<\/p>\nWith a trajectory linked to authors such as Heiner M\u00fcller, Jean Cocteau, Israel Horovitz, Rodolf Sirera, Michel Azama and Shakespeare<\/strong>, the company explores themes such as power, manipulation, identity, emotional dependency, violence, memory and the boundaries between fiction and reality.<\/p>\nIts recent productions and works directed by Robert Torres include MedeaMaterialMedea<\/strong>, La voz humana<\/strong>, La L\u00ednea<\/strong> and El veneno del teatro<\/strong>.<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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PLAYS<\/p>\n<\/div>
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CAN\u00c7ONS D\u2019ALABAMA (B. Brecht \/ K. Weill), 1996.<\/strong><\/p>\nCANSALADA CANCEL\u00b7LADA, 1998.<\/strong><\/p>\nNUMBERT, 2001.<\/strong><\/p>\nEL SOMRIURE DEL GUANYADOR, 2002.<\/strong><\/p>\nEM VAIG HAVER D\u2019ARRENCAR L\u2019OLOR DE LES DONES PERDUDES (M. Rodoreda), 2008.<\/strong><\/p>\nLA RESCLOSA (M. Azama), 2012.<\/strong><\/p>\nDOS TRISTES TIGRES (Sanchis Sinisterra), 2014<\/strong><\/p>\nMEDEAMATERIALMEDEA (H. M\u00fcller), 2015.<\/strong><\/p>\nSCROOGE (Ch. Dickens), 2016.<\/strong><\/p>\nEL CLUB DE LAS ASESINAS, 2020.<\/strong><\/p>\nLA VIEJA GUARDIA (Instal\u00b7laci\u00f3), 2022.<\/strong><\/p>\nLA L\u00cdNEA (I. Horovitz), 2023.<\/strong><\/p>\nEL VER\u00cd DEL TEATRE (R. Sirera), 2025<\/strong><\/p>\nLA VEU HUMANA (J. Cocteau), 2026.<\/strong><\/p>\nMIRIAM EN LA BOCA DEL LOBO, 2026.<\/strong><\/p>\nEL BELL INDIFERENT (J. Cocteau), 2027<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>
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