{"id":366,"date":"2015-11-30T22:03:59","date_gmt":"2015-11-30T22:03:59","guid":{"rendered":"http:\/\/ciatre.com\/wp\/?page_id=366"},"modified":"2026-07-24T17:49:46","modified_gmt":"2026-07-24T15:49:46","slug":"joglars","status":"publish","type":"page","link":"https:\/\/www.ciatre.com\/en\/joglars\/","title":{"rendered":"ELS JOGLARS"},"content":{"rendered":"

<\/div>
<\/div>
<\/div>
<\/div><\/div><\/div>

CONTACT<\/p>\n

Contact person: Montserrat Arcarons\u00a0<\/strong><\/p>\n

C\/ Vilabella 9, Ens B<\/p>\n

08500 Vic (Barcelona)<\/p>\n

Phone: 00 34 93 883 24 43<\/p>\n

montse@elsjoglars.com<\/a><\/p>\n

www.elsjoglars.com<\/a><\/p>\n

<\/a>\"\"<\/a><\/div>\n<\/div>
<\/div><\/div><\/div>
<\/span><\/div>
<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div>
<\/div>

DESCRIPTION<\/p>\n<\/div>

The oldest of Europe now under the direction of Ramon Fontser\u00e8 following the departure of Albert Boadella private company. Els Joglars have maintained their critical style of theatre that directly addresses current issues. They were imprisoned for this reason and were court-martialed for performing a play, La Torna, in 1977. Even after this, when democracy was in full swing, various court cases and controversies arose due to other plays. The company thus gained popularity over time due to being one of the most critical and outspoken voices in Spanish society. \u00a0The history of Els Joglars is one of constant research and investigation and construction of a theatrical language that takes the school of classical mime as its starting point and incorporates every possible dramatic element. Its working formula is based on creative group work that entails a high level of personal and professional involvement, either corporately or independently. The company is clearly one in which work comes before all else; it follows a strict system and works full time, involving very long hours – all of which makes for a dynamic system of work that is constantly developing. \u00a0The Els Joglars rehearsal room, a geodesic dome in the middle of a forest 100 km from Barcelona, is the ideal observation room, providing a truly universal view of the ways of preserving power in various fields and areas. This is Els Joglars’ main theme and today, moret han fifty years after the group was founded, this theme is being played out in thousands of performances of moret han 40 theatrical works in over twenty countries in Europe and America. It is also the subject of television and cinema productions and various books and research studies on the company’s activities.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div>
<\/div>
<\/div>
<\/div>

PLAYS<\/p>\n<\/div>

<\/div><\/div><\/div>

\u2013 MIMODRAMES<\/strong>, 1962<\/p>\n

\u2013 L\u2019ART DEL MIM<\/strong>, 1963<\/p>\n

\u2013 DEIXEBLES DEL SILENCI \u2013 PANTOMIMES DEL MUSIC-HALL<\/strong>, 1965<\/p>\n

\u2013 CALIDOSCOPI<\/strong>, 1966<\/p>\n

\u2013 EL DIARI<\/strong>, 1968<\/p>\n

\u2013 EL JOC<\/strong>, 1970<\/p>\n

\u2013 CRUEL UBRIS<\/strong>, 1971<\/p>\n

\u2013 MARY D\u2019OUS<\/strong>, 1972<\/p>\n

\u2013 \u00c0LIAS SERRALLONGA<\/strong>, 1974<\/p>\n

\u2013 LA TORNA<\/strong>, 1977<\/p>\n

\u2013 M-7 CATALONIA<\/strong>, 1978<\/p>\n

\u2013 L\u2019ODISSEA<\/strong>, 1979<\/p>\n

\u2013 LAETIUS<\/strong>, 1980<\/p>\n

\u2013 OLYMPIC MAN MOVEMENT<\/strong>, 1981<\/p>\n

\u2013 OPERACI\u00d3 UB\u00da<\/strong>. Amb el Teatre Lliure, 1982<\/p>\n

\u2013 TELEDEUM<\/strong>, 1983<\/p>\n

\u2013 GABINETE LIBERMANN<\/strong>. Amb el Centro Nacional de Nuevas Tendencias, 1984<\/p>\n

\u2013 VIRTUOSOS DE FONTAINEBLEAU<\/strong>, 1985<\/p>\n

\u2013 VISANTETA DE FAVARA<\/strong>. Amb el Teatre Estable del Pa\u00eds Valenci\u00e0, 1986<\/p>\n

\u2013 BYE, BYE, BEETHOVEN<\/strong>, 1987<\/p>\n

\u2013 COLUMBI LAPSUS<\/strong>, 1989<\/p>\n

\u2013 YO TENGO UN T\u00cdO EN AMERICA<\/strong>, 1991<\/p>\n

\u2013 EL NACIONAL<\/strong>, 1993<\/p>\n

\u2013 UB\u00da PRESIDENT<\/strong>, 1995<\/p>\n

\u2013 LA INCRE\u00cdBLE HISTORIA DEL DR. FLOIT & MR. PLA<\/strong>, 1997<\/p>\n

\u2013 DAAAL\u00cd<\/strong>, 1999<\/p>\n

\u2013 LA TRILOG\u00cdA: DAAAL\u00cd<\/strong>, LA INCRE\u00cdBLE HISTORIA DEL DR. FLOIT & MR. PLA<\/strong> i UB\u00da PRESIDENT O LOS \u00daLTIMOS D\u00cdAS DE POMPEYA<\/strong>, 2001<\/p>\n

\u2013 EL RETABLO DE LAS MARAVILLAS<\/strong>, 2004<\/p>\n

\u2013 LA TORNA DE LA TORNA<\/strong>. Coproducci\u00f3 amb el Teatre Romea i l\u2019Institut del Teatre, 2005<\/p>\n

\u2013 EN UN LUGAR DE MANHATTAN<\/strong>, 2005<\/p>\n

\u2013 CONTROVERSIA DEL TORO Y EL TORERO<\/strong>, 2006<\/p>\n

\u2013 LA CENA<\/strong>, 2008<\/p>\n

\u2013 2036 OMENA-G<\/strong>, 2010<\/p>\n

\u2013 EL NACIONAL<\/strong>, 2011<\/p>\n

\u2013 EL COLOQUIO DE LOS PERROS<\/strong>. Coproducci\u00f3 amb la CNTC, 2013<\/p>\n

\u2013 VIP<\/strong>, 2014<\/p>\n

\u2013 ZENIT<\/strong>, 2016<\/p>\n

\u2013 SE\u00d1OR RUISE\u00d1OR<\/strong>, 2018<\/p>\n

\u2013 \u00a1QUE SALGA ARIST\u00d3FANES!<\/strong>, 2022<\/p>\n

\u2013 EL REY QUE FUE<\/strong>, 2023<\/p>\n

<\/div>\n

\u2013 LA CENA<\/strong>, 2008<\/p>\n

\u2013 2036 OMENA-G<\/strong>, 2010<\/p>\n

\u2013 EL NACIONAL<\/strong>, 2011<\/p>\n

\u2013 EL COLOQUIO DE LOS PERROS<\/strong>. Coproducci\u00f3 amb la CNTC, 2013<\/p>\n

\u2013 VIP<\/strong>, 2014<\/p>\n

\u2013 ZENIT<\/strong>, 2016<\/p>\n

\u2013 SE\u00d1OR RUISE\u00d1OR<\/strong>, 2018<\/div>\n<\/div>
<\/div><\/div><\/div><\/div><\/div>

MEDIA GALLERY<\/p>\n<\/div>

<\/div><\/div><\/div>