{"id":3491,"date":"2016-10-24T13:34:50","date_gmt":"2016-10-24T11:34:50","guid":{"rendered":"https:\/\/www.ciatre.com\/en\/?p=3491"},"modified":"2017-01-24T20:13:00","modified_gmt":"2017-01-24T18:13:00","slug":"carles-canellas-participates-in-the-symposium-object-dramaturgies","status":"publish","type":"post","link":"https:\/\/www.ciatre.com\/en\/2016\/10\/24\/carles-canellas-participates-in-the-symposium-object-dramaturgies\/","title":{"rendered":"CARLES CA\u00d1ELLAS PARTICIPATES IN THE SYMPOSIUM &#8216;OBJECT DRAMATURGIES&#8217;"},"content":{"rendered":"<p style=\"text-align: justify;\">Rocamora Teatre\u2019s director, along with the artists: Mal Pelo, David Espinosa, Urbez + Roland Olbeeter, Marcel\u00b7l\u00ed Ant\u00fanez, BeAnotherLab and Iker Vicente, will talk on his work procedures around the Object Theatre.<\/p>\n<p style=\"text-align: justify;\">Carles Ca\u00f1ellas will speak about the dramaturgies of the shows: <strong>Air Mail<\/strong> (1985), in which with a cinematographic narrative he used actors, objects and puppets of different techniques, in micro macro scales; <strong>Small Suicides<\/strong> (2000) his recreation of this classic of the Object Theatre, in pure form; and the recently released <strong>Identitats<\/strong> (2016) of Dance Theater, in which a marionette takes us into an exciting and surprising dramatic search for its own existence, which evolves under contemporary choreographies, with electronic music, light environments and video backgrounds.<\/p>\n<p style=\"text-align: justify;\">The symposium, organized by IF Barcelona and Institut del Teatre jointly, will be held on 3rd and 4th November 2016 at the Institut del Teatre of Barcelona.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rocamora Teatre\u2019s director, along with the artists: Mal Pelo, David Espinosa, Urbez + Roland Olbeeter, Marcel\u00b7l\u00ed Ant\u00fanez, BeAnotherLab and Iker Vicente, will talk on his work procedures around the Object Theatre. Carles Ca\u00f1ellas will speak about the dramaturgies of the shows: Air Mail (1985), in which with a cinematographic narrative he used actors, objects and  [&#8230;]<\/p>\n","protected":false},"author":2,"featured_media":3485,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-3491","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general-en"],"publishpress_future_action":{"enabled":false,"date":"2026-10-04 01:51:33","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/posts\/3491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/comments?post=3491"}],"version-history":[{"count":1,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/posts\/3491\/revisions"}],"predecessor-version":[{"id":3492,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/posts\/3491\/revisions\/3492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/media\/3485"}],"wp:attachment":[{"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/media?parent=3491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/categories?post=3491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ciatre.com\/en\/wp-json\/wp\/v2\/tags?post=3491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}