CONTACT
Contact person: Montserrat Arcarons
Apartat de correus, 23
08570 Torelló (Barcelona)
Phone: 00 34 93 883 24 43
DESCRIPTION
The oldest of Europe now under the direction of Ramon Fontserè following the departure of Albert Boadella private company. Els Joglars have maintained their critical style of theatre that directly addresses current issues. They were imprisoned for this reason and were court-martialed for performing a play, La Torna, in 1977. Even after this, when democracy was in full swing, various court cases and controversies arose due to other plays. The company thus gained popularity over time due to being one of the most critical and outspoken voices in Spanish society. The history of Els Joglars is one of constant research and investigation and construction of a theatrical language that takes the school of classical mime as its starting point and incorporates every possible dramatic element. Its working formula is based on creative group work that entails a high level of personal and professional involvement, either corporately or independently. The company is clearly one in which work comes before all else; it follows a strict system and works full time, involving very long hours – all of which makes for a dynamic system of work that is constantly developing. The Els Joglars rehearsal room, a geodesic dome in the middle of a forest 100 km from Barcelona, is the ideal observation room, providing a truly universal view of the ways of preserving power in various fields and areas. This is Els Joglars’ main theme and today, moret han fifty years after the group was founded, this theme is being played out in thousands of performances of moret han 40 theatrical works in over twenty countries in Europe and America. It is also the subject of television and cinema productions and various books and research studies on the company’s activities.
PLAYS
– MIMODRAMES, 1962
– L’ART DEL MIM, 1963
– DEIXEBLES DEL SILENCI – PANTOMIMES DEL MUSIC-HALL, 1965
– CALIDOSCOPI, 1966
– EL DIARI, 1968
– EL JOC, 1970
– CRUEL UBRIS, 1971
– MARY D’OUS, 1972
– ÀLIAS SERRALLONGA, 1974
– LA TORNA, 1977
– M-7 CATALONIA, 1978
– L’ODISSEA, 1979
– LAETIUS, 1980
– OLYMPIC MAN MOVEMENT, 1981
– OPERACIÓ UBÚ. Amb el Teatre Lliure, 1982
– TELEDEUM, 1983
– GABINETE LIBERMANN. Amb el Centro Nacional de Nuevas Tendencias, 1984
– VIRTUOSOS DE FONTAINEBLEAU, 1985
– VISANTETA DE FAVARA. Amb el Teatre Estable del País Valencià, 1986
– BYE, BYE, BEETHOVEN, 1987
– COLUMBI LAPSUS, 1989
– YO TENGO UN TÍO EN AMERICA, 1991
– EL NACIONAL, 1993
– UBÚ PRESIDENT, 1995
– LA INCREÍBLE HISTORIA DEL DR. FLOIT & MR. PLA, 1997
– DAAALÍ, 1999
– LA TRILOGÍA: DAAALÍ, LA INCREÍBLE HISTORIA DEL DR. FLOIT & MR. PLA i UBÚ PRESIDENT O LOS ÚLTIMOS DÍAS DE POMPEYA, 2001
– EL RETABLO DE LAS MARAVILLAS, 2004
– LA TORNA DE LA TORNA. Coproducció amb el Teatre Romea i l’Institut del Teatre, 2005
– EN UN LUGAR DE MANHATTAN, 2005
– CONTROVERSIA DEL TORO Y EL TORERO, 2006
– LA CENA, 2008
– 2036 OMENA-G, 2010
– EL NACIONAL, 2011
– EL COLOQUIO DE LOS PERROS. Coproducció amb la CNTC, 2013
– VIP, 2014
– ZENIT, 2016
– SEÑOR RUISEÑOR, 2018
– ¡QUE SALGA ARISTÓFANES!, 2022
– EL REY QUE FUE, 2023
– LA CENA, 2008
– 2036 OMENA-G, 2010
– EL NACIONAL, 2011
– EL COLOQUIO DE LOS PERROS. Coproducció amb la CNTC, 2013
– VIP, 2014
– ZENIT, 2016
MEDIA GALLERY